In “No Surrender,” a song that has the uplifting sweep of his early anthem “Thunder Road,” he sings, “We made a promise we swore we’d always remember” no retreat, no surrender.” His music usually carries a motto like that. in some motel room there’ll be a radio playing and you’ll hear me sing this son/Well, if you do, you’ll know I’m thinking of you and all the miles in between” — but he gives the song a wall of sound with a soaring saxophone solo. Born in the USA album cover Question Title * 1. Bruce Springsteen showcased his handkerchief on the cover of his mega popular album Born in the USA. 'Last to Die' blasts the Bush Administration's Iraq war policy. Springsteen has always been able to tell a story better than he can write a hook, and these lyrics are way beyond anything anybody else is writing. “I had a job, I had a girl,” he begins, then explains how everything’s changed: “Now I work down at the car wash, where all it ever does its rain.” It’s a line Sam Shepard could’ve written: so pathetic and so funny, you don’t know how to react.The biggest departure from any familiar Springsteen sound is the breathtaking first single, “Dancing in the Dark,” with its modern synths, played by E Street keyboardist Roy Bittan, and thundering bass and drums. Though it looks at hard times, at little people in little towns choosing between going away and getting left behind, He’s set songs as well drawn as those on his bleak acoustic album, The people who hang out in the new songs dread getting stuck in the small towns they grew up in almost as much as they worry that the big world outside holds no possibilities — a familiar theme in Springsteen’s work.
LL Cool J on Police Reform: 'We've Got to Vet These Bad Cops Differently' Chris Wallace Calls Out Fox News Hosts for Justifying Vigilante JusticeSex Workers Worry Bella Thorne’s $2 Million Payday Could Ruin OnlyFansTrump Looted $44 Billion From FEMA’s Disaster Relief Fund in the Middle of a Record-Setting Hurricane SeasonKenosha Sheriff in 2018: ‘There’s Some People That Aren’t Worth Saving’ The way the band’s turned down to just a light rattle of drums, faint organ and quiet, staccato guitar notes makes his lust seem ominous: you picture some pock-marked Harry Dean Stanton type, lying, too wired to sleep, in a motel room.That you get such a vivid sense of these characters is because Springsteen gives them voices a playwright would be proud of. . In the first line of the first song, Springsteen croaks, “Born down in a dead man’s town, the first kick I took was when I hit the ground.” His characters are born with their broken hearts, and the only thing that keeps them going is imagining that, as another line in another song goes, “There’s something happening somewhere.”Though the characters are dying of longing for some sort of payoff from the American dream, Springsteen’s exuberant voice and the swell of the music clues you that they haven’t given up. “There was a sense that the flag was up for grabs, that you had the right in staking out your claim to its meaning and to the kind of country you wanted your kids to grow up in.” (Rolling Stone, 2019)Fill in your details below or click an icon to log in:
This album, by "The Boss" is a real tour de force of some of his BIGGEST and most anthemic rock hits. But they wind up back at home, where you can practically see the roaches scurrying around the empty Twinkie packages in the linoleum kitchen.
Shifting the sound slightly, the band finds the right feeling of paranoia for “Cover Me,” the lone song to resurrect that shrieking, “Badlands”-style guitar, and the right ironic fervor for the Vietnam vet’s yelping about the dead ends of being “Born in the U.S.A.” Though there’s no big difference between these and some of the songs on Springsteen’s last rock LP,The album finds its center in those cheering rock songs, but four tracks – the last two on either side — give the album an extraordinary depth. And “Working on the Highway,” whips into an ecstatic rocker that tells a funny story, hand-claps keeping the time about crime and punishment. Annie Leibovitz took the photo of Springsteen’s back, and the flag imagery was added later. In the dark, he finds a release from all the limitations he was born into. But Born in the U.S.A., his popular triumph, which threw off seven Top Ten hits and became one of the best-selling albums of all time, trafficked in much the same struggle, albeit set to galloping rhythms and set off by chiming guitars.
‘Born in the USA’ by Bruce Springsteen was photographed from behind and this album cover shows a good use of visual language, and that is what makes this image memorable. The Boss explained that the decision to use the flag as the backdrop was partly due to the first track being “Born In The U.S.A.” but that he also believed the American flag is a “very powerful image.”
Like 'Born in the USA', the album is deceiving in a way, as others have commented here, because the music is so friendly and rocking and yet the lyrics are full of anger and sadness. The kid who dances in the darkness here is practically choking on the self-consciousness of being sixteen.
The handkerchief code, a once ultimate beacon of queer pride had not been successfully commandeered by the heteronomartive it had originally rebelled against. © Copyright 2020 Rolling Stone, LLC, a subsidiary of Penske Business Media, LLC.
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